On a normal year, Broadway Across America produces thousands of performances across the country and the world. This year, there have been none since April. That being said, Broadway’s creative aspirations and dedication to the stage has not waned at all. Just like the rest of us, the actors, actresses, producers, directors, staff, and volunteers at Broadway and all of our performing arts groups are anxiously waiting for the stages to shine bright once again.
Audience publisher, G. Douglas Dreisbach, caught up with the President of Broadway Across America’s Midwest Division, Leslie Broecker, to talk about how the organization is dealing with the challenges of the last nine months, how the team has adjusted, and what the future might hold.
Kentucky Performing Arts is known for hosting a variety of electrifying performances — from marquee musicians and comedians, to the touring shows of PNC Broadway in Louisville, not mention our own nationally renowned arts groups such as the Louisville Orchestra, Kentucky Opera, Louisville Ballet and StageOne Family Theatre.
When COVID hit last year, the team was forced to deal with a second disaster in just a couple years, the first being a fire that damaged the roof and lobby of its flagship venue, The Kentucky Center.
During a time when the venues are quiet and dark, Audience publisher, G. Douglas Dreisbach, caught up with KPA’s President & CEO, Kim Baker, as she navigates her team through these tough times.
Now in its 57th season, Actors Theatre of Louisville is the state theater of Kentucky, with a mission that serves to unlock human potential, build community, and enrich quality of life by engaging people in theater that reflects the wonder and complexity of our time. Over the last nine months, we’ve all certainly been tested on many fronts.
The company moved to a digital stage for several seasonal favorites that received great reviews. They are now launching Erma Bombeck: At Wit’s End that will stream until January 28 and is a ‘pay what you can’ set-up.
Audience publisher, G. Douglas Dreisbach, caught up with Executive Artistic Director, Robert Barry Fleming, to hear more about how the company has navigated through the pandemic so far, and what might lie ahead.
Fund for the Arts is an important anchor in the Louisville arts community, with the goal to provide arts access, education, diversity, and ultimately to promote the city as a nationally recognized epicenter of the arts.
Being nearly 10 months into an unprecedented public health crisis with COVID, combined with social and civil situations that we’re all dealing with, we caught up with President and CEO Christen Boone to see how the Fund has adjusted so far, and how the organization intends to move forward.
For millions of Americans, the holiday season isn’t complete without a trip to the theatre to watch The Nutcracker,choreographed by Val Caniparoli. But in 2020, safety supersedes tradition, leaving venues around the country dark for the foreseeable future.
Such is the case for The Kentucky Center, where the Louisville Ballet performs this holiday classic. This June, the company announced the 2020-21 Season of Illumination will be all-digital and include a new ballet art film production entitled Kentucky! Volume 1and the Brown-Forman Nutcracker, with more productions to be announced later.
While many regard the pivot as bittersweet, artistic director Robert Curran says it was an unexpectedly easy decision, and one that has brought a renewed sense of excitement to the company.
Since famed Louisville Orchestra conductor Teddy Abrams first graced the stages of Whitney Hall, Louisville patrons of fine music knew they were in for a treat. In what was a monumental transition into celebrating the roots of classical music as well as other important genres, the season line-ups soon began to reveal what Teddy and crew had in mind and where the future of the Louisville Orchestra was heading, and all signs pointed to exciting times ahead.
With past collages featuring various musicians, rock bands and even local artists, paired with the harmonic orchestra ensembles, Teddy and the LO have attracted new patrons to the performances as well as invigorated the long-time patrons of the group.
